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McKinney Avenue Contemporary Announces Exhibits for Billy Hassell, Carol Selter and Daniel-Kayne

Freshwater Life (A World Remembered) by Billy Hassell, 2012

Freshwater Life (A World Remembered) by Billy Hassell, 2012

Billy Hassell: Watershed
Carol Selter: Animal Stories
Daniel-Kayne: Mine…Mine…
McKinney Avenue Contemporary
April 14 through May 19, 2012

In celebration of Earth Day, the McKinney Avenue Contemporary (The MAC) is pleased to present three new exhibitions featuring the works of Billy Hassell, Carol Selter and Daniel-Kayne. An opening reception with the artists will be held Saturday, April 14, 2012 from 5:30 to 7:30 p.m. at The MAC galleries, located at 3120 McKinney Avenue, in the Uptown District of Dallas. Exhibitions will be on view through May 19, 2012.

In conjunction with these three exhibitions, The MAC is pleased to host an evening to benefit Audubon Texas on April 18, 2012 from 6 to 8 p.m.

Amanda Hackney, Audubon Texas coastal manager, will share information about the Audubon program. Additionally, Billy Hassell will discuss his Audubon Texas Avian Art Series, including the most recent limited-edition lithographs Brown Pelican, Turbulent Sea I and II (2010) commemorating the Deepwater Horizon oil spill disaster and Audubon’s work to restore and care for the Gulf. These most recent limited edition lithographs were designed and drawn by Billy Hassell and printed in collaboration with master printer Peter Webb in Austin, Texas.  Brown Pelican, Turbulent Sea I and II will be available for purchase, with a portion of the proceeds supporting Audubon Texas conservation programs and The MAC. Light refreshments will be served. Please RSVP by Monday, April 9, 2012 to

Brown Pelican, Turbulent Sea II by Billy Hassell, 2012

Brown Pelican, Turbulent Sea II by Billy Hassell, 2012

Billy Hassell

“That area of land, a bounded hydrologic system, within which all living things are inextricably linked by their common water course and where, as humans settled, simple logic demanded that they become part of a community.”

– John Wesley Powell

WATERSHED, an exhibition of paintings and color lithographs by local DFW artist Billy Hassell, surveys the current state of humanities most important natural resource, water. With keen observation, Hassell’s stylized depictions of our eco-system center on environments with rivers, wetlands, lakes, and the vegetation that surround them. Amongst the vivid color, detailed patterns and simplicity in form, these landscapes also serve as a representation of the severity of water stress around the globe.

The title for the exhibition, WATERSHED, refers to the definition of watershed, stated in the quote above by John Wesley Powell (geologist, explorer, ethnologist 1834 -1902). Hassell applies the watershed moment – that pivotal moment of illumination or a turning of tides- to suggest that all sources of freshwater are, in fact, part of one large and intricate watershed that we all share.

Billy Hassell received his Bachelor of Fine Art at the University of Notre Dame, Notre Dame, Indiana in 1978 and his Master of Fine Arts at the University of Massachusetts, Amherst, Massachusetts in 1982. Hassell’s paintings are included in the permanent collections of the Dallas Museum of Art, the Modern Art Museum of Ft. Worth, the Museum of Fine Arts, Houston, Texas, The Menil Collection, Houston, Texas and various other private and public collections.

Hassell is represented by Conduit Gallery in Dallas, Texas and William Campbell Contemporary Art in Fort Worth, Texas.

December, The Hummingbird by Carol Selter, 1990/2011

December, The Hummingbird by Carol Selter, 1990/2011

Carol Selter
Animal Stories

The MAC is pleased to present California Bay Area artist Carol Selter. Renowned for her use of photography, Selter explores our relationship to the natural world. Her exhibition, Animal Stories, unites three bodies of work that utilize taxidermy to contemplate the displacement of wildlife due to the actions or in-actions of humans.

The photographic series, The Calendar Pictures, subverts the conventional wildlife calendar that defines many office cubicles. These paper windows offer only illusions of animals undisturbed in their natural habitats. In an act of extending reparations, Selter stages taxidermy specimens in familiar landscapes, offering them a second chance at life through her photographs.

In the videos that comprise A Turtle and Two Squirrels Walk Into a Bar…, taxidermy appears again, this time with an inquisitive voice. Selter’s anthropomorphic subjects express emotional responses to events such as deforestation or loss of fresh water. Here we observe a sea turtle swimming laden with marine debris, a seagull searching for the inundated shore line where it used to nest, followed by squirrels discussing a recent heat wave. Selter’s witty approach does not trivialize the serious predicaments these animals are facing. Rather, humor and pathos form a dynamic equilibrium that make their situation relatable to the viewer. By contrast, the series, Burning Down the House, conveys no shred of humor. Selter re-purposes plaster masks of animals discarded by zoos and presents them as death masks. These masks, most of unknown origin, are grave reminders of extinction.

Carol Selter received her Master of Fine Art in Photography from the School of Art and Design, San Jose State University in 2002. She also holds degrees in botany and biology. Her work has been exhibited at Gallery 16, San Francisco Art Commission Gallery, San Francisco Museum of Modern Art, Harvard University and CEPA Gallery in Buffalo, New York. Selter will participate in the 2012 Dallas Art Fair with her gallery representation Charlie James Gallery, Los Angeles, California.

Mine...Mine... by Daniel-Kayne, 2012


Daniel-Kayne, a Houston based performance and installation artist, will exhibit Mine…Mine… in the New Works Space gallery. Mine…Mine… is a response to the notion of claiming ownership over natural resources. Kayne explores the struggle to attain fresh water in under-developed countries. Without a sustainable fresh water plan, the citizens of these countries suffer the consequences as their population expands. To delineate this imbalance, Kayne employs percentages as a visual tool. Fresh water is represented by the amount of water in the human body and the remaining percentage by human ash. Kayne’s motivations are multi-faceted. He seeks to inspire consciousness in our society to benefit not only the environment but humanity as a whole.

Daniel-Kayne studied painting at The Glassell School of Art at the Museum of Fine Arts Houston and continued his artistic education through an installation/painting residency at the New York School of Visual Arts in 2006. In 2009, Kayne completed a residency with the Texan French Alliance for the Arts in Paris, France. After returning to Houston in 2010, Kayne has been involved in performance, installation, and sculptural projects at Diverse Works Art Space, The Orange Show and Deborah Colton Gallery. Recently, Kayne was involved in the design for a Texan French Alliance for the Arts project titled Notre Soleil located in Lyon, France. Notre Soleil, a 46 meter circumference sculpture and Earth permanent public art work, focuses on interacting and involving the children of Centre Léon Bérard Hospital in Lyon, France.

A Special Thank You to The MAC’s Season Sponsors

With the help and support of these individuals and organizations, The MAC is able to continue exhibiting quality exhibitions to the public.

Individual Donors Art Gods: Susan & Claude Albritton, Deborah Colton, Trammel S. Crow, David Gibson, Nancy & Tim Hanley, Kirk Hopper, Deborah Humphrey, R.P. Washburne Benevolent Ones: Alice & Charlie Adams, Camilla Cowan, Martha Fain, Nancy Hamon, Roger Horchow, Anne & John Mullen, C. Jeff Pan, Scott Shuford, Cheryl & Kevin Vogel, Sally Warren & Jeff Jackson Champions: Jan & David Bates, Kay & Elliot Cattarulla, Kaleta Doolin & Alan Govenar, Charles Wolcott Henry, Rick Liberto, Clyde Melville, Kathleen Messina, Molly Moore, William Neisel, John F. Stephens Jr., Barbara Thomas, Shannon Wynne + Lovers + Amigos + True Blues + Artists! Art Patrons: CASETA, City of Dallas Office of Cultural Affairs, Communities Foundation of Texas, The Dallas Foundation, Harry S. Moss Foundation, Hunt Cares Campaign, Rosewood Foundation Corporate Sponsors Altruistic Giver: Kirk Hopper Fine Art,  La Mode Dallas, The Plutonian Games Art Advocate: A+C Magazine, Dallas Auction Gallery Devotee: Pinnacle Performance, Norwood Flynn Gallery, Valley House Gallery In Kind Donors Kitchen Dog Theater, Brainfood, Jennifer Hees Design, Dean Corbitt, Dallas Museum of Art, DECORAZONgallery, Tod Lewis /, Quin Matthews Films, CG Ingram, David McCullough.

About The MAC

Established in 1994, The McKinney Avenue Contemporary (The MAC) is a nonprofit organization that stands as a Dallas advocate for creative freedom offering the opportunity for experimentation and presentation of art in all disciplines. It supports the emerging and established artist role in society providing a forum for critical dialogue with their audiences. This relationship is cultivated through education and innovative programming. The MAC is a member of Dallas Art Dealers Association and The Uptown Association.

Call 214-953-1212 for information or visit The MAC is open Wednesday – Saturday 11 a.m. – 9 p.m.

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